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results 81-100 of 662 item(s)  page 5 of 34 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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81. [Bookplate for William Smith] [Bookplate for William Smith] This bookplate, in black ink, contains an escutcheon, gules (red), with a chevron, ermine (white powdered fur with black tufts), and is charged with two crescents over one garbe. Above the escutcheon is a dexter closed helmet, which is crested by a curved wreath and an eagle's head, erased, with a crown around its neck. From the helmet flows very elaborate mantling which flows out and down to the base of the escutcheon. Above the crest is a banner containing the Latin motto.

82. [Bookplate for Edward Steane] [Bookplate for Edward Steane] This bookplate, in black ink, consists of a straight crest wreath, on top of which is a rock and eagle, wings addorsed and elevated. Below the crest is a banner containing the Latin motto. The image is bordered by a single line frame.

83. [Bookplate for Winifred Baker] [Bookplate for Winifred Baker] This bookplate, black ink on ivory paper, consists of a number of books standing up right on a flat surface. In front of the standing books is a book left open, and a candle stick with candle alight. From the candle's flame, light radiates out in all directions. Running along the left border are a series of vertical lines of varying widths, and along the right border are a series of ten small symbols.

84. [Bookplate for Alma Bryner and Cyril Bryner] [Bookplate for Alma Bryner and Cyril Bryner] This bookplate portrays, in black ink on white paper, two easy chairs in front of a fireplace. Two figures are seated in the chairs (with only their feet showing) reading books.

85. [Bookplate for Malcolm McGregor] [Bookplate for Malcolm McGregor] This bookplate is rendered in the bright, vibrant red and green colours of the McGregor tartan. Outlined in black, the text stands out from the tartan in thick, white, block letters. Beneath the text is a green thistle.

86. [Bookplate by W. Bowles and J.W. Leigh] [Bookplate by W. Bowles and J.W. Leigh] This bookplate is rendered in a circular motif, with three escutcheons pivoting the centre. The first crest is gules (red), charged with three ducal coronet, positioned two over one, with a roundlet or (gold) at centre. The second crest has a chevronelly of eleven or and azure (blue). The third crest is gules, charged with three inverted wildcat heads on fleur-de-lis, two over one. The entire assemblage is contained within a circular pattern, with Latin name in the border. The original artist of the crest is J.W. Leigh, indicated by "Inv." at the base of the design.

87. [Bookplate for James John Joicey] [Bookplate for James John Joicey] This bookplate is printed on light brown paper with brown ink. It consists of an escutcheon argent (silver), and three diamonds in pale between two endorses in a crosshatch pattern. The escutcheon is charged with a pick-axe at both dexter and sinister. Above the escutcheon is a helmet, positioned at three-quarter profile, indicating the status of peer. Upon the helmet is a straight wreath, charged with a young man holding a pick-axe and lantern. Radiating from the wreath is elaborate mantling. Below the escutcheon is a banner, with Latin motto within. Entire crest is contained within a border, with name of bookplate owner at bottom.

88. [Bookplate for Commercial and Technical High School] [Bookplate for Commercial and Technical High School] This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.

89. [Bookplate for Commercial High School] [Bookplate for Commercial High School] This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.

90. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] This bookplate is in two parts: One to show ownership by the library, the other to show who made the presentation of the book to the library. 1) In black ink on white or cream paper. The bookplate consists of lines for recording location information, the seal of the institute [two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text], and other lines for noting the number and receipt date of the book surrounding the library name.
2) In black ink on white or cream paper, the bookplate consists of a thin border surrounding black text.

91. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.

92. [Bookplate for Eric L. Swanick] [Bookplate for Eric L. Swanick] This bookplate is executed with green ink on white paper. The green ink is in the shape of an oval through which the design appears in white. On the top of the oval is depicted a swan floating on water, which is depicted directly above the name Eric L. Swanick. From each end of the name a design emerges that forms a decorative border.

93. [Bookplate for Elizabeth Rogers] [Bookplate for Elizabeth Rogers] This bookplate is executed in black ink on crème paper, and is rife with heraldic and pictorial imagery denoting peace, freedom, and benevolence. The center image is one of peace, as it contains a great tree spreading its branches over meadows and pastures under the rays of a setting or rising sun. This is flanked by standards bearing roses. The heraldic imagery is placed above the scene of peace, as if resting on the tree. A shield in the center contains a mullet over purple in the lower half, and roses over black in the upper half. It is topped by a closed helmet out of which springs what is most likely a fox. Underneath the image of peace are three French military medals for providing aid in times of war.

94. [Bookplate by M. Trinque] [Bookplate by M. Trinque] This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank.

95. [Bookplate for Johannis Platt by John Dickson Batten] [Bookplate for Johannis Platt by John Dickson Batten] This bookplate has both heraldic and pictoral qualities. The primary subject of the bookplate is a lamb, grazing in a glade of flowers, with bookplate owner's name in a banner below. In the background, the bookplate features a pen of sheep as well as a dead wolf hanging from a tree. At top-left corner, the bookplate features an escutcheon, azure (blue), charged with two fleur-de-lis and a lamb, two over one, and a chevron or (gold) charged with a fleur-de-lis and two cinque foil. Above the escutcheon is a peer helmet, with a wreath charged with a grazing lamb. Mantling radiates from the helmet, and Welsh motto is contained on one side. The entire scene is contained within a stylized border, with Welsh motto within.

96. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

97. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

98. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

99. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

100. [Bookplate for Arthur Keily] [Bookplate for Arthur Keily] This bookplate features an escutcheon with top edges scrolled, bottom tip mantled. The escutcheon is argent (silver), and charged with a tower with two windows, supported by two lioncels combatant. Above the escutcheon is a straight crest wreath topped with an enfield, statant. Below the escutcheon is a banner containing the Latin motto. Escutcheon is shadowed by a field of wavy lines.
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results 81-100 of 662 item(s)  page 5 of 34 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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